This appeal of Dora's made a strong impression on me. I look back on the time I write of; I invoke the innocent figure that I dearly loved, to come out from the mists and shadows of the past, and turn its gentle head towards me once again; and I can still declare that this one little speech was constantly in my memory. I may not have used it to the best account; I was young and inexperienced; but I never turned a deaf ear to its artless pleading.

Dora told me, shortly afterwards, that she was going to be a wonderful housekeeper. Accordingly, she polished the tablets, pointed the pencil, bought an immense account-book, carefully stitched up with a needle and thread all the leaves of the Cookery Book which Jip had torn, and made quite a desperate little attempt 'to be good', as she called it. But the figures had the old obstinate propensity — they WOULD NOT add up. When she had entered two or three laborious items in the account-book, Jip would walk over the page, wagging his tail, and smear them all out. Her own little right-hand middle finger got steeped to the very bone in ink; and I think that was the only decided result obtained.

Sometimes, of an evening, when I was at home and at work — for I wrote a good deal now, and was beginning in a small way to be known as a writer — I would lay down my pen, and watch my child-wife trying to be good. First of all, she would bring out the immense account-book, and lay it down upon the table, with a deep sigh.

Then she would open it at the place where Jip had made it illegible last night, and call Jip up, to look at his misdeeds. This would occasion a diversion in Jip's favour, and some inking of his nose, perhaps, as a penalty. Then she would tell Jip to lie down on the table instantly, 'like a lion' — which was one of his tricks, though I cannot say the likeness was striking — and, if he were in an obedient humour, he would obey. Then she would take up a pen, and begin to write, and find a hair in it. Then she would take up another pen, and begin to write, and find that it spluttered. Then she would take up another pen, and begin to write, and say in a low voice, 'Oh, it's a talking pen, and will disturb Doady!' And then she would give it up as a bad job, and put the account-book away, after pretending to crush the lion with it.

Or, if she were in a very sedate and serious state of mind, she would sit down with the tablets, and a little basket of bills and other documents, which looked more like curl-papers than anything else, and endeavour to get some result out of them. After severely comparing one with another, and making entries on the tablets, and blotting them out, and counting all the fingers of her left hand over and over again, backwards and forwards, she would be so vexed and discouraged, and would look so unhappy, that it gave me pain to see her bright face clouded — and for me! — and I would go softly to her, and say: 'What's the matter, Dora?'

Dora would look up hopelessly, and reply, 'They won't come right.

They make my head ache so. And they won't do anything I want!'

Then I would say, 'Now let us try together. Let me show you, Dora.'

Then I would commence a practical demonstration, to which Dora would pay profound attention, perhaps for five minutes; when she would begin to be dreadfully tired, and would lighten the subject by curling my hair, or trying the effect of my face with my shirt-collar turned down. If I tacitly checked this playfulness, and persisted, she would look so scared and disconsolate, as she became more and more bewildered, that the remembrance of her natural gaiety when I first strayed into her path, and of her being my child-wife, would come reproachfully upon me; and I would lay the pencil down, and call for the guitar.

I had a great deal of work to do, and had many anxieties, but the same considerations made me keep them to myself. I am far from sure, now, that it was right to do this, but I did it for my child-wife's sake. I search my breast, and I commit its secrets, if I know them, without any reservation to this paper. The old unhappy loss or want of something had, I am conscious, some place in my heart; but not to the embitterment of my life. When I walked alone in the fine weather, and thought of the summer days when all the air had been filled with my boyish enchantment, I did miss something of the realization of my dreams; but I thought it was a softened glory of the Past, which nothing could have thrown upon the present time. I did feel, sometimes, for a little while, that I could have wished my wife had been my counsellor; had had more character and purpose, to sustain me and improve me by; had been endowed with power to fill up the void which somewhere seemed to be about me; but I felt as if this were an unearthly consummation of my happiness, that never had been meant to be, and never could have been.

I was a boyish husband as to years. I had known the softening influence of no other sorrows or experiences than those recorded in these leaves. If I did any wrong, as I may have done much, I did it in mistaken love, and in my want of wisdom. I write the exact truth. It would avail me nothing to extenuate it now.

Thus it was that I took upon myself the toils and cares of our life, and had no partner in them. We lived much as before, in reference to our scrambling household arrangements; but I had got used to those, and Dora I was pleased to see was seldom vexed now.

She was bright and cheerful in the old childish way, loved me dearly, and was happy with her old trifles.

When the debates were heavy — I mean as to length, not quality, for in the last respect they were not often otherwise — and I went home late, Dora would never rest when she heard my footsteps, but would always come downstairs to meet me. When my evenings were unoccupied by the pursuit for which I had qualified myself with so much pains, and I was engaged in writing at home, she would sit quietly near me, however late the hour, and be so mute, that I would often think she had dropped asleep. But generally, when I raised my head, I saw her blue eyes looking at me with the quiet attention of which I have already spoken.

'Oh, what a weary boy!' said Dora one night, when I met her eyes as I was shutting up my desk.

'What a weary girl!' said I. 'That's more to the purpose. You must go to bed another time, my love. It's far too late for you.'

'No, don't send me to bed!' pleaded Dora, coming to my side.

'Pray, don't do that!'

'Dora!' To my amazement she was sobbing on my neck. 'Not well, my dear! not happy!'

'Yes! quite well, and very happy!' said Dora. 'But say you'll let me stop, and see you write.'

'Why, what a sight for such bright eyes at midnight!' I replied.

'Are they bright, though?' returned Dora, laughing. 'I'm so glad they're bright.'

'Little Vanity!' said I.

But it was not vanity; it was only harmless delight in my admiration. I knew that very well, before she told me so.

'If you think them pretty, say I may always stop, and see you write!' said Dora. 'Do you think them pretty?'

'Very pretty.'

'Then let me always stop and see you write.'

'I am afraid that won't improve their brightness, Dora.'

'Yes, it will! Because, you clever boy, you'll not forget me then, while you are full of silent fancies. Will you mind it, if I say something very, very silly? — more than usual?' inquired Dora, peeping over my shoulder into my face.

'What wonderful thing is that?' said I.

'Please let me hold the pens,' said Dora. 'I want to have something to do with all those many hours when you are so industrious. May I hold the pens?'

The remembrance of her pretty joy when I said yes, brings tears into my eyes. The next time I sat down to write, and regularly afterwards, she sat in her old place, with a spare bundle of pens at her side. Her triumph in this connexion with my work, and her delight when I wanted a new pen — which I very often feigned to do — suggested to me a new way of pleasing my child-wife. I occasionally made a pretence of wanting a page or two of manuscript copied. Then Dora was in her glory. The preparations she made for this great work, the aprons she put on, the bibs she borrowed from the kitchen to keep off the ink, the time she took, the innumerable stoppages she made to have a laugh with Jip as if he understood it all, her conviction that her work was incomplete unless she signed her name at the end, and the way in which she would bring it to me, like a school-copy, and then, when I praised it, clasp me round the neck, are touching recollections to me, simple as they might appear to other men.